15
Thu
Nov 2019

20:00

|
16
Sat
Nov 2019

17:00

$700, $550, $450, $350, $250

Concert Hall, Hong Kong Cultural Centre

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Music

Sir András Schiff and Cappella Andrea Barca

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Warm Reminder: Performance Time of Concerts by Sir András Schiff and Cappella Andrea Barca

15.11.2019 (Fri), 8pm

16.11.2019 (Sat), 5pm
 

It's One Organism to Begin With William Lau

Sir András Schiff's last visit to Hong Kong was during the 2008 Hong Kong Arts Festival.  11 years has passed, and not only was he knighted in the United Kingdom, he also became the uncrowned king of Austro-German piano music.

I cannot think of any other active pianist with such a vast repertoire of Austro-German piano music as Schiff.  Although his 2008 Hong Kong concerts featured Beethoven and Schumann, but in fact, his Austro-German repertoire covers everything from J.S. Bach to Brahms, with solo works, concertos, chamber works and lieder by Haydn, Mozart, Beethoven, Schubert, Mendelssohn and Schumann as well.  For 40 years, the prolific pianist has recorded a large discography of these composers for Decca and ECM.

I also cannot think of any other pianist who can mix German and Austrian composers together in such an ingenious way.  For example, he had a series called “The Last Sonatas” – three concerts devoted to the last three piano sonatas of Haydn, Mozart, Beethoven and Schubert, where the audience could savour the sublime late works of these composers in the same performance.

In February 2018, I saw Schiff in a Berlin recital which centred on Brahms' late piano works.  He coupled them with works by J.S. Bach, Mozart, Beethoven and Schumann that conveyed the poignant feelings of separation and tragedy, as a counterpoint to Brahms' bitter twilight years.

This time he will be accompanied by the Cappella Andrea Barca, which is actually his own orchestra.  “Andrea” is Italian for András, while “Barca”, like the German word “Schiff”, means boat.  The two concerts' repertoire includes Beethoven's Piano Concerto Nos. 2, 4 and 5 as well as Mozart's Symphony Nos. 39 and 41, with Schiff as conductor.

In February 2014, I saw a performance by Schiff and the Cappella Andrea Barca in Cologne – the second concert in Schiff's “Mozart 1784” series.  The year 1784 was considered a “miracle year” for Mozart, he composed no less than six piano concertos in an extraordinary burst of creativity. The concert's repertoire included six works bearing the Köchel numbers from 454 to 459.  Schiff performed Piano Concerto Nos. 18 and 19, along with a set of piano variations, a violin sonata and a piano sonata.

This is what I wrote in my review for the Hong Kong Economic Journal :

“Many pianists and orchestras tend to go small when performing Mozart's piano concertos.  Not only do they reduce the size of the orchestra, but they played the music in muted tones.  Schiff, however, sees them as symphonies.  He makes good use of the bright sounds of modern instruments, and has a dynamic playing style that brings out the joyous and dramatic qualities of a piece.  The biggest revelation I had was that you cannot separate the soloist and orchestra when performing Mozart's piano concertos.  It is not a partnership, and it is not just about having a dialogue – they were the same organism to begin with, and must breathe as one.”

There are two outstanding violinists in the chamber orchestra who take care of the bowing and phrasing for him.  His wife, Yuuko Shiokawa, was a student of Sándor Végh, who gifted her with a precious violin.  Schiff and Végh's complete recording of Mozart's piano concertos are widely known.

Erich Höbarth is not only a Végh student, but also served as his teaching assistant and quartet partner.  Höbarth later became concertmaster of the Concentus Musicus Wien.  He has been in the ensemble for more than 30 years, and was there during the golden age when the ensemble was led by Nikolaus Harnoncourt.  He is also the first violinist of the period-instrument quartet Quatuor Mosaïques.  With Höbarth serving as Schiff's concertmaster, this is a formidable ensemble indeed.

I have never heard Schiff conduct a Mozart symphony, but with that unforgettable 2014 concert in mind, my only wish is that all the acclaimed musicians in the chamber orchestra (including the legendary Czech string quartet Panocha Quartet) will come to Hong Kong as scheduled to join Schiff on an extraordinary evening of Austro-German classics.

 

William Lau is a music critic who publishes his concert reviews on Hong Kong Economic Journal  and Takungpao.

English translation provided by KCL Language Consultancy Ltd.

 

 

location DATE
location VENUE
location PRICE
15.11.2019 (Fri)
20:00
16.11.2019 (Sat)
17:00
Concert Hall, Hong Kong Cultural Centre
location
$700, $550, $450, $350, $250
location DATE
15.11.2019 (Fri)
20:00
16.11.2019 (Sat)
17:00
location PRICE
$700, $550, $450, $350, $250