In English with Chinese surtitles
New York Innovative Theatre Awards – Outstanding Solo Performance and Outstanding Original Music
“Strikingly beautiful.” New York Times
“A gem of a show.” The Stage (London)
Behind the Mozart fame is an unknown Name
The Off-Broadway solo play The Other Mozart is telling the true, forgotten story of another Mozart genius, Nannerl Mozart, the sister of Amadeus. The play is based on facts, stories and lines pulled directly from the Mozart family’s humorous and heartbreaking letters. Nannerl – a prodigy, keyboard virtuoso and composer, who performed throughout Europe with her brother to equal acclaim, but her musical virtuosity gives way to mounting despair when, upon reaching marriageable age, she was left at home and prohibited from performing due to the social constraints of 18th-century Europe. Her work and story faded away, lost to history.
With the opulent beauty of the dress and hair design, the sweet smell of perfume, and the clouds of dusting powder rising from the stage, the performance creates a multi-sensual experience and transports the audience into a world of outsized beauty and delight — but also of overwhelming restrictions and prejudice.
The play had an Off-Broadway run in New York at HERE Arts Center, in London at St. James Theater, in Munich at the Pasinger Fabrik and was presented in Salzburg at the invitation of the Mozarteum Foundation (inside the Mozart’s Wohnhaus apartment) and in Vienna at the Mozarthaus Vienna (Wolfgang’s Domgasse home). The monodrama continues being presented internationally, currently in four languages, performed by Sylvia Milo or another actress, with over 250 performances to date and well received by critics and audience.
Meet-the-artist Session
With meet-the-artist session after performances on 12-13 July evening and 14 July matinee. Audience are welcome to join.
Created, Written and Performed by |
: Sylvia Milo |
Directed by |
: Isaac Byrne |
Music composed by |
: Nathan Davis and Phyllis Chen |
Additional Music by |
: Marianna Martines, Leopold Mozart and Wolfgang A. Mozart |
Period Style Movement directed by |
: Janice Orlandi |
Sound designed by |
: Nathan Davis |
Lighting designed by |
: Joshua Rose |
Costume (Dress) designed by |
: Magdalena Dabrowska |
Costume (Pannier/Corset Sculpture) designed by |
: Miodrag Guberinic |
Hair designed by |
: Courtney Bednarowski |
Sylvia Milo
Sylvia Milo is an award-winning actress and playwright. She is a graduate of New York University, with extensive training at the Lee Strasberg Institute, Michael Chekhov, Stella Adler and The Grotowski Institute in Poland. 2018 Baryshnikov Arts Center / Bogliasco Foundation joint Fellow. She played Bob Dylan in OBIE Award-winning The West Village Fragments by Peculiar Works; Ophelia in The Ophelia Landscape at the Mark Morris Center; Hamlet in Hamlet – an all-female version of the play, which she adapted and directed herself. Milo has composed scores for dance and theatre at the Merce Cunningham Studio and La Mama Experimental Theatre Club.
The running time of the performance is approximately 1 hour and 15 minutes without intermission.
Latecomers will only be admitted at a suitable break.
Tickets available from 22 May onwards at all URBTIX outlets, on internet, mobile app and credit card telephone booking.
Discount Schemes
Half-price tickets available for senior citizens aged 60 and above, people with disabilities and the minder, full-time students and Comprehensive Social Security Assistance (CSSA) recipients. (Limited tickets for CSSA recipients available on a first-come, first-served basis.)
Group Booking Discount
10% off for each purchase of 4-9 standard tickets; 15% off for 10-19 standard tickets; 20% off for 20 or more standard tickets.
Internet Booking: www.urbtix.hk
Credit Card Telephone Booking: 2111 5999
Ticketing Enquiries: 3761 6661
Programme Enquiries: 2268 7325
Ticketing Enquiries: 3761 6661
Credit Card Telephone Booking: 2111 5999
Internet Booking: www.urbtix.hk
The presenter reserves the right to change the programme and substitute artists.
The programme does not represent the views of the Leisure and Cultural Services Department.